“Every time I have the opportunity to play bass, if possible, I try to redo Taxman, Come Together... something in the Paul McCartney style”: Renowned session bassist Sean Hurley on taking inspiration from The Beatles bassist for a John Mayer session
Hurley aimed to build his Queen of California contribution by taking a page from Macca’s bass book

Top-tier session bass guitar player Sean Hurley has worked with some of the biggest names in pop and rock, including Gwen Stefani, Lady A, Lana Del Rey, Robin Thicke, and Alanis Morissette, solidifying his status as a staple of the LA session scene.
One of Hurley’s most prominent gigs is his ongoing collaboration with John Mayer – a recording partnership that began around 2011 after he had completed “one or two tours” with Mayer.
Hurley then joined Mayer, drummer Aaron Sterling, and pianist Chuck Leavell at New York’s famed Electric Lady Studios to record Queen of California and the Born and Raised album.
“When you’re at ease with an artist, then all the good stuff starts to flow out,” Hurley tells Vertex Effects. “Because you’re not thinking about, ‘Do I have to play something that proves I’m worthy of being there?’ You just play to accompany the song.
“So John had that [Queen of California] riff, and he just started playing it. All we had was just that B chord. He just started playing it. And every time I have the opportunity to play bass, if possible, I try to redo Taxman, Come Together... something in the Paul McCartney [style of playing], like, ‘Is there a way to play a root, a flat seven, a fifth, and kind of twist around those notes?’
“And lo and behold, that was the first time John played something and I was like, ‘Ooh, I can do something [around] the roots and flat sevenths.’”
As Hurley puts it, once that was locked in, it was like “the engine room that keeps spinning” and everything after that was just “syncopation, rhythmic stuff”. His instinct proved correct, as, although it was only the first idea he had for the song, it worked.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
“He [Mayer] liked it, and we just started letting the song develop from there,” he concludes.
Hurley went on to lend his low-end expertise to some of Mayer’s most celebrated tracks on Born and Raised (2012), Paradise Valley (2013), and Mayer's latest release, Sob Rock (2021).
In recent John Mayer news, the guitarist shared behind-the-scenes snippets as he composed his latest collaborative lead effort with R&B mega star Alessia Cara.
Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology, and how this is shaping the future of the music industry. She also had the pleasure of interviewing Dream Wife, K.Flay, Yīn Yīn, and Black Honey, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her art-rock/psych-punk band ĠENN.

“For Pink Floyd songs, David is happiest when I play an old Fender with a pick”: Session legend Guy Pratt on the Jazz Bass he bought from John Entwistle and how he conjured a “massive octave-pedal freakout” with Madonna

“My rig broke on live TV. I started hitting it as hard as I could, but the bass would not break… so I threw it in the ocean”: L7’s Jennifer Finch on touring with Nirvana, gigging with Courtney Love and donating her Ghost bass to the Punk Rock Museum