Bassists
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Session bassist Sean Hurley on taking inspiration from Paul McCartney for a John Mayer session
By Janelle Borg published
Hurley aimed to build his Queen of California bass line around “the roots and flat sevenths” – taking a page from Macca's book

Martyn LeNoble on a career spent working with alt rock icons – and the kindness of John Entwistle
By Andrew Daly published
Long before perfect stranger John Entwistle lent him a Trace Elliott, the Porno For Pyros founder started out with a P-Bass knockoff and a homemade amp. Now he’s all about paying tribute to late friend Mark Lanegan

Did Willie Weeks miss a note on this Donny Hathaway classic?
By Chris Jisi published
Willie Weeks is best known for his storied bass solo on Hathaway’s 1972 Live album, but the disc also features what may be his baddest bassline

How a young Bootsy Collins took the James Brown bass chair to its busiest level on this Bootsy-fied recut from 1970’s Sex Machine
By Chris Jisi published
The first version of the song was recorded in October 1968 with Charles ‘Sweets’ Sherrell on bass

Mike Rutherford’s “lead” bass approach helped demystify the low-end for prog rock cornerstone Genesis
By Chris Jisi published
The departure of guitarists Anthony Phillips and Steve Hackett cleared the way for Rutherford's angular bassline on this Genesis classic

Tony Stevens’ rocky ride with Savoy Brown and Foghat
By Andrew Daly published
Despite industry woes, he loved the challenge of playing with Kim Simmonds and ‘Lonesome’ Dave Peverett, and loved Acoustic amps and Warwick basses

Trevor Bolder speaks out on his storied history with David Bowie
By Chris Jisi published
How could anyone who played bass on Ziggy Stardust not be a rock legend?

When bassist Arthur Barrow survived an audition for guitar genius Frank Zappa
By Bryan Beller published
The 26-year-old bassist from San Antonio was given just two days to learn a song about church pancakes, stolen margarine, and the patron saint of Portuguese smelt fishermen
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