Bassists
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Jerry Barnes and Nile Rodgers give an insiders’ view of this seven-minute bass anthem by Chic
By Chris Jisi published
Performing alongside guitarist Nile Rodgers, Jerry Barnes has bestowed his deep-pocketed basslines upon Chic since the untimely death of Bernard Edwards in 1996
Martyn LeNoble on how his ill-fated stint with Jane’s Addiction came to a close after a clash with Perry Farrell
By Matt Owen published
The Porno for Pyros co-founder was brought onboard to record bass for Jane's Addiction's third studio album, but was replaced at the last minute
Ozzy Osbourne bassist Bob Daisley on taking a chance on Randy Rhoads – despite label pushback
By Janelle Borg published
Daisley remembers playing with Rhoads for the first time and knowing right away that the dynamic was special
Mötley Crüe’s Nikki Sixx on fate, Thunderbirds and the legacy of Smoke on the Water
By Andrew Daly published
The bassist discusses a new lease of life with old friend John 5, new ’Crüe the band’s – and his eternal confusion over beloved Gibson reverse bodies
Paul McCartney was in bass peak form on this lesser-known Beatles gem
By Brian Fox published
Recorded at Abbey Road Studios in February 1968, Hey Bulldog was one of the last Beatles sessions tracked as a band
Did Nate Watts play on the most under-appreciated bass anthem ever?
By Chris Jisi published
The story behind the incredible 10-minute bassline on Stevie Wonder’s 1981 hit Do I Do
How Beck’s longtime bassist scored his spot in Nine Inch Nails
By Brian Fox published
Back in 2008, Justin Meldal-Johnsen was launched from his role as Beck’s musical director onto a Nine Inch Nails world tour
Gene Simmons on why technical skill doesn't really matter
By Matt Owen published
The Kiss bassist values memorable music over displays of virtuosity – and singled out jazz to hammer home his point
Mark Hoppus charts his bass origin story, embracing amp modelers and switching from Ernie Ball to Fender
By Michael Astley-Brown published
In a rare interview, the blink-182 bassist shares his tone secrets, the bassline he still struggles to play, and how Ned’s Atomic Dustbin changed the way he approaches the bass
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