“Ozzy told me about this young guitar player in LA who worked at a music school. I envisioned an older bloke with slippers, a cardigan and glasses”: Ozzy Osbourne bassist Bob Daisley on taking a chance on Randy Rhoads – despite label pushback
Daisley remembers playing with Rhoads for the first time and knowing right away that the dynamic was special
Bob Daisley's bass playing has left a significant mark on rock and metal history, with bands like Rainbow, Uriah Heep, Gary Moore, and Chicken Shack all benefiting from his low-end mastery. However, it’s perhaps his work with Ozzy Osbourne – after the Prince of Darkness was fired from Black Sabbath – that he’s best known for.
In an upcoming career-spanning interview with Guitar World, Daisley reflects on this pivotal phase in his life, which also included meeting and playing with a young guitarist who would later become the Randy Rhoads.
“It was just me and Ozzy to start the band. Ozzy told me about this young guitar player in LA who was a teacher and worked at a music school. I sort of envisioned an older bloke with slippers, a cardigan, and glasses, but Ozzy said, ‘No, his name is Randy Rhoads.’ I said, ‘Okay, well, let’s get him over,’” he recalls.
The head of Osbourne's label, Jet Records, wasn't particularly keen on recruiting Rhoads, stating that he was too young. However, Daisley was determined to take a chance on the guitarist and have him as part of the band.
“If you look at it that way, if I hadn’t gone along with getting the band going and said that, Randy wouldn’t have been brought over. It was because I said ‘no’ to the other two guys.”
After some back-and-forth with the label, Osbourne, Rhoads, and Daisley finally met at Jet Records toward the end of '79 – a meeting that would forever change all three of their careers.
“We all caught the train up to Ozzy’s place in Stratford and played for the first time together,” Daisley recalls.
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
“I remember that after we finished, after maybe 20 minutes or half an hour, Randy and I looked at each other at the same time and more or less said the same thing: ‘I like the way you play.’ I knew right away that this would work and that this was good.”
Osbourne was recently inducted into the Rock & Roll Hall of Fame and took the opportunity to credit Rhoads for the success of his solo career.
Guitar World's full interview with Bob Daisley will be published next month.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Janelle is a staff writer at GuitarWorld.com. After a long stint in classical music, Janelle discovered the joys of playing guitar in dingy venues at the age of 13 and has never looked back. Janelle has written extensively about the intersection of music and technology, and how this is shaping the future of the music industry. She also had the pleasure of interviewing Dream Wife, K.Flay, Yīn Yīn, and Black Honey, among others. When she's not writing, you'll find her creating layers of delicious audio lasagna with her art-rock/psych-punk band ĠENN.
“It was just full of guitars, and there was no air in it. No spaces, no gaps”: Bill Wyman reunited with his old Rolling Stones bandmates on their Hackney Diamonds album, but didn't like the track he played on
“I played a 5-string with Lauryn Hill, but it didn’t feel like a real bass”: Raised on R&B, schooled by fusion, and empowered by punk rock, Bad Brains bassist Darryl Jenifer remains a 4-string purist