“I didn’t have a bass guitar, so I had to make one. Unknown to me at the time, I built the first fretless bass, about five years before they came out”: Before the Rolling Stones, Bill Wyman needed a good bass guitar – so he created his own
It's a tale as old as time: three guitarists, a need for a bass player, and no one wants the job. Eventually, Wyman took it on, and built himself a proto-fretless model in the process
Within the Rolling Stones, Bill Wyman, who spent three decades as the rock juggernaut's bassist, stood out.
His quiet presence aligned with his rhythm section comrade in the band, the late drummer Charlie Watts, and stood in stark contrast to the headline-grabbing (for decades) lifestyles and exploits of frontman Mick Jagger and guitarist Keith Richards.
The story of how Wyman came to play the bass even happens to be an example of his cool personality.
Three years prior to the Stones' formation, in 1962, Wyman was part of a newly formed quintet that quickly encountered an age-old problem.
Asked in a new interview with Louder how he ended up on the four-string, Wyman said, “When I was forming my band in South London, three years prior to joining the Stones, there were three guitarists, and I said, ‘Somebody’s got to play bass.’ The lead guitarist said, ‘I’m not.’ The rhythm guitarist said, ‘I’m not.’ So I said, ‘I suppose I’m gonna have to do it.’”
Not satisfied with the existing bass options that he could afford, Wyman simply decided to build one himself.
“I didn’t have a bass guitar, so I had to make one,” he explained to Louder. “Unknown to me at the time, I built the first fretless bass. Invented it, so I’m told, about five years before they came out.”
Get The Pick Newsletter
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!
In an interview with Bass Player, Wyman elaborated on the DIY build, saying, “I’d seen Gibson and Fender bass guitars in pictures of Little Richard’s and Fats Domino’s bands, so I drew a shape like one of those on the back of my bass and I had my next-door neighbor saw it down. I bevelled the edges, took off all the paint, and put in a new Baldwin pickup.
“Still,” he went on, “it rattled with every note because the frets were so worn. I figured I’d just pull out all the frets and put in new ones when I could afford some. But when I pulled them out, it suddenly sounded really good! So I never put frets back in.
“I think it was the first fretless bass ever. I used it on every Stones album and many of the singles up to 1975. From early R&B covers like I’m a King Bee to the period of 19th Nervous Breakdown – it’s got the sound.”
The 88-year-old Wyman recently released his ninth solo album, Drive My Car, and even, last year, reunited with his old bandmates in the studio for the first time in three decades.
Filling in for the absent Darryl Jones – alongside Keith Richards, long-serving Stones guitarist Ronnie Wood, and even Paul McCartney – Wyman took care of low-end duties on Live by the Sword, a song from the Stones' recent Hackney Diamonds album.
Thank you for reading 5 articles this month**
Join now for unlimited access
US pricing $3.99 per month or $39.00 per year
UK pricing £2.99 per month or £29.00 per year
Europe pricing €3.49 per month or €34.00 per year
*Read 5 free articles per month without a subscription
Jackson is an Associate Editor at GuitarWorld.com. He’s been writing and editing stories about new gear, technique and guitar-driven music both old and new since 2014, and has also written extensively on the same topics for Guitar Player. Elsewhere, his album reviews and essays have appeared in Louder and Unrecorded. Though open to music of all kinds, his greatest love has always been indie, and everything that falls under its massive umbrella. To that end, you can find him on Twitter crowing about whatever great new guitar band you need to drop everything to hear right now.
- Nick WellsWriter
“I had a long vamp out and I played an extra few notes. David smiled and said, ‘Tony, in Pink Floyd you don’t do that extra couple notes until far later’”: Tony Levin on playing for Pink Floyd in the post-Roger Waters era
“Bach was one of the only guys who really understood the range of the bass. All his cello pieces are right in the 5-string bass range”: John Myung plays for one of rock’s most ambitious bands, and he’s tackling the challenge with extraordinary discipline