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“I hit the first chord and my Marshall blew up”: Richie Sambora on Bon Jovi's nightmare arena debut
By Jackson Maxwell published
Reflecting on the experience decades later, Sambora said that – embarrassing as they are in the moment – mishaps like that are “what shape you as a pro”
Session bassist Sean Hurley on taking inspiration from Paul McCartney for a John Mayer session
By Janelle Borg published
Hurley aimed to build his Queen of California bass line around “the roots and flat sevenths” – taking a page from Macca's book
Jim Weider on replacing Robbie Robertson in The Band – and the ’52 Tele he got while working at a car wash
By Andrew Daly published
Woodstock native Jim Weider got a chance to prove his mettle in the mid-80s when he stepped up to replace Robbie Robertson in The Band. Here, he tells us his story – and how a ’52 Tele came along for the ride
Martyn LeNoble on a career spent working with alt rock icons – and the kindness of John Entwistle
By Andrew Daly published
Long before perfect stranger John Entwistle lent him a Trace Elliott, the Porno For Pyros founder started out with a P-Bass knockoff and a homemade amp. Now he’s all about paying tribute to late friend Mark Lanegan
Hooked on “bombastic lead rock guitar” before catching the songwriting bug, Seb Wesson is on a search for songs with meaning
By Glenn Kimpton published
Wesson's full-length solo debut was made in collaboration with his Martin D-28 and a ’68 Fender Pro Reverb amp rescued from the trash outside a London guitar shop, and features 10 tracks with a story to tell
Tool's Adam Jones on taking cues from Meshuggah, unorthodox pedals, and the trick he learned from Robert Fripp
By Chris Gill published
On the eve of the release of 10,000 Days, Tool's tone titan sat down for a chat with GW about the reclusive quartet's creative process, “the Melvins school of writing music,” and why he absolutely, positively, did not use an E-Bow on the album
How Ella Feingold got working with Bruno Mars – and how it differed from her Prince audition
By Janelle Borg published
Feingold had already worked with Janet Jackson, Jay-Z, Erykah Badu and Queen Latifah when she got the call from Bruno Mars
Jason Narducy on inspiring Dave Grohl, getting R.E.M. cover tips from Peter Buck – and being Bob Mould’s bassist
By Andrew Daly published
Starting his punk band Verböten at 11 with a “terrible” SG copy, the modest guitar hero (and Bob Mould bassist) remains in demand with his eternal passion, attention to detail and love of living room shows
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