Lesson: Jake Shimabukuro Shares Some Ukulele Basics

Features
By published

We've watched ukulele master Jake Shimabukuro deliver some amazing performances live in the Acoustic Nation studio.

We've had a wonderful chat with him about his latest album, his gear, touring, recording and so much more.

Now things get hands on.

Here Shimabukuro sits down with Acoustic Nation editor Laura B. Whitmore and shares some ukulele basics that are sure to get you strumming.

So grab whatever ukulele you have handy and play along!

View the lesson here:

Find out more about what's up with Jake Shimabukuro at http://jakeshimabukuro.com/

Acoustic Nation
Acoustic Nation

Acoustic Nation is written by Laura B. Whitmore, a music industry marketing veteran, music journalist and editor, who has contributed to Parade.com, Guitar World, and others. She has interviewed hundreds of musicians and hosts the She Rocks Podcast. As the founder of the Women’s International Music Network, she advocates for women in the music industry and produces the annual She Rocks Awards. She is the Senior Vice President of Marketing for Positive Grid, making the world safe for guitar exploration everywhere! A guitarist and singer/songwriter, Laura is currently co-writing an album of pop songs that empower and energize girls.

“Prince writes, ‘Luka is the most compelling piece of music I’ve heard in a long time’”: Suzanne Vega on the time Prince sent her a handwritten letter to praise one of her most iconic tracks

I bought the cheapest bass Fender makes from Amazon and it genuinely surprised me: Squier Debut Series Precision Bass review

“I wasn't familiar with PRS. If anything, I was like, ‘The birds are too flashy!’ But the moment I played one I was like, ‘Whoa, I can play faster now!’”: Meet Mei Semones, the Berklee graduate reimagining New Orleans vibes with an intricate indie flair
See more latest
Most Popular
Mae Semones
“I wasn't familiar with PRS. If anything, I was like, ‘The birds are too flashy!’ But the moment I played one I was like, ‘Whoa, I can play faster now!’”: Meet Mei Semones, the Berklee graduate reimagining New Orleans vibes with an intricate indie flair
Peter Brewis of Field music is bathed in pink and blue lights as he performs live
“A lot of modern guitarists want to get all the notes right but if you listen to Jimi Hendrix or Jimmy Page, it’s beautiful playing, with loads of mistakes”: Peter Brewis on Field Music’s ‘collage rock’ – and why he owes his career to Robert Zemeckis
A live shot from the side of the stage as Dead Kennedys play the Mabuhay in 1978. East Bay Ray wears a hooped T-shirt and plays a Strat while a shirtless Jello Biafra works the crowd in the background.
“Iggy left the Stooges and had a career – ditto Lou Reed with the Velvet Underground or Morrissey with the Smiths. Where’s Biafra’s solo career?”: East Bay Ray explains why the Dead Kennedys’ chemistry hit its peak on Fresh Fruit... and why it fell apart
The Night Flight Orchestra all glammed-up in stage clothes and photographed against a green backdrop: guitarists Rasmus Ehrnborn [second from left] and Sebastian Forslund [fourth from right]
Faced with the loss of their founding guitarist and creative leader, Night Flight Orchestra are persevering with the big melodies and sonic largesse of rock's golden era
Employed to Serve
“There’s a sleek look to bands like Loathe, Spiritbox or Knocked Loose. Spiky shapes are engrained in our values – we want to wear our influences on our sleeves”: Employed To Serve are re-embracing metal guitars – but dropping amps
There’s no getting away from the fact that many major Japanese brands gained ground by cloning US designs, even fairly niche ones such as this 1972 Ibanez 2380 – a copy of the Gibson Les Paul Recording model of the era
“Tokai’s LS series are probably the best-built Les Paul-style guitars that have ever come through my shop”: How the Japanese guitar market came of age with ’80s Fender and Gibson clones – some that would rival the originals
1964 Epiphone Riviera: By 1964, the earlier ‘Mickey Mouse’ body ears of the Riviera had slimmed. The six-string is an unusual sunburst with narrower dark edges, while the 12-string E360TD-12 is the more common Royal Tan
Played by everyone from Magic Sam and Otis Rush to Stevie Ray Vaughan, Robbie Robertson, Noel Gallagher, and Robben Ford, the Riviera remains Epiphone's semi-hollow superstar
Jenna Fournier
“Smashing Pumpkins taught me that music doesn’t have to fit neatly into a box… it’s not as easy as pie. It’s pie with a side of metal!” Billy Corgan asked Jenna Fournier to go back to bass, and she says the timing is perfect
Pictured from below, Doug Aldrich of the Dead Daisies plays his Gold Top Les Paul onstage.
“I always used it with Whitesnake, which was perfect because it sounded like John Sykes' Les Paul”: Doug Aldrich on how Randy Rhoads’ inspiration helped him find a “killer” Les Paul – that was owned by the man who co-wrote Eric Clapton’s Tears in Heaven
A Klon Centaur pedal
Klon Centaur creator Bill Finnegan once said that the hype around his pedal was “ridiculous,” yet originals still fetch $10,000 or more on the secondhand market. With plentiful, far cheaper clones, why does the Klon remain a holy grail pedal?