For many guitarists, the pentatonic scale is the first thing you will learn when developing your lead guitar playing. It's incredibly simple and easy to remember. As musicians develop further, they try to move away from playing pentatonics when soloing by adding notes from outside of the scale to break out of the regular shapes or by playing different scales altogether.
If you've been following my blog posts, you will know I recently recorded guitar solos for the new White Wizzard album, The Devil's Cut. I recently got together with my band mate and fellow White Wizzard guitarist, Jake Dreyer, to go over our favorite solos from the album and show you how to play them.
A couple of months ago, I started a studio diary documenting the process of recording a new album with White Wizzard. I covered everything from pre-production to instrument tracking. Now I will discuss the final stages of music production — mixing and mastering. After tracking all the instruments and vocals, the next step is to mix everything into a single stereo track.
I forgot to tell you that in some circumstances, you might find it easier to arrange some of the notes differently than what the tab states in certain sections. As long as you are playing the exact same notes, it is totally fine to rearrange the positions on the fret board in order make it easier for you to play. The tab is just a suggestion for where the notes should be played.
Los Angeles-based classic metal outfit White Wizzard formed in 2007. After enduring several lineup changes, the band finally seems to have settled on solid ground. Their early albums — High Speed GTO and Over The Top — treated fans to some solid, catchy old-school metal. The next album, Flying Tigers, took the band into new musical territory. Their upcoming release, The Devil's Cut, sees them progress even further with scorching lead guitar work.
This week, I wanted to take a break from my lesson-style blog posts and take a moment to review a special release, or rather, re-release, I just received in the mail. Imported from England via Rock Candy records, is the newly remastered debut album from power trio/supergroup Blue murder. The band was by formed by guitarist John Sykes and featured bassist Tony Franklin and drummer Carmine Appice.
Vibrato is one of the most expressive techniques for any soloist. It allows you the opportunity to imprint your own touch or feel into any performance. Much like a fingerprint, every guitarist will have his or her own unique and individual vibrato. Many new guitarists may overlook the technique, but as you begin to develop your own style, you will realize it's an extremely powerful technique.
Like many guitarists, I have a daily practice routine that helps keep my chops in shape and develop my technique. I spend many hours each day working with a metronome running through scales and exercises. These routines are the norm for most serious guitarists, but you must be careful. If you devote too much time to practicing scales and technique, you might lose focus on more important longterm goals.
Following pre-production, the next stage in an album's production will be the actual recording process, which involves tracking each instrument. From this point on, every decision will affect the final outcome of the project, and that's why bands hire producers to oversee the process and make sure everything is done correctly.
I'll be recording an album with White Wizzard and wanted to give you some insight into the process of making a heavy metal album in 2013. I'm going to talk about the whole process, from pre-production to mastering, and try to give you my take on each step. The first stage is pre-production, which is when a band will take their song ideas and begin to finalize the arrangements, melodies, lyrics, etc., so that every song is fully prepared and ready to record.