There's a certain Je ne sais quoi about a guy holding a guitar. Or so says a new study from France, which concluded that a man is perceived as more attractive to women if there’s a guitar in his hands. These results are similar to findings of a 2012 study from Israel.
As the holidays — and some much-needed time off — swiftly approach, I present to you my holiday gear wish list, all of which I hope Santa will be kind enough to leave under my tree. I know certain items on my wish list are somewhat pricey, but hey, that’s why I call it a wish list! Even so, if I don’t get it all, just receiving one will give me holiday cheer well into 2014.
If you look toward your mantle this holiday season and notice that your stocking overfloweth, you can thank me next year for maybe half the items you’ll find in it. It took me some time to compile a list of gear I believe will delight many guitarists but that also includes essential tools they’ll need or could use the most.
Most of us regard changing or replacing strings as arduous and time-consuming, but it doesn’t have to be. Depending upon the type of guitar you own, string changing can be accomplished in a matter of minutes. Constant repetition is the key — kind of like practicing — and as a guitarist, that’s what you do.
In the video below, Guitar World's Paul Riario demos the Guitar Jam Tracks app by Ninebuzz. Practice jamming, learning the pentatonic scale and soloing to five great-sounding jam tracks in keys the keys of A, B, C, D, E, F and G — right from your iPhone or iPad!
I began to seriously play guitar at the impressionable age of 11 (It would have been earlier if my parents hadn’t discouraged me) by receiving an acoustic and some lessons. Two years later, I had my first electric guitar and joined a band. I haven’t stopped consistently playing live since.
Holy crap. Is it over when you start to dress like that onstage? Schenker with Chicago Bulls NBA shorts and a leather motorcycle jacket with Oakley shades to pull the look together? As Heidi Klum used to say on Project Runway, "I'm sorry, Michael, you are out ... auf Wiedersehen."
Many guitarists may never know the crunchy overdrive and sweet compression of a vintage 1968 Marshall JMP50 “Plexi” amplifier driven through a 4x12 Marshall cabinet loaded with Celestion Greenback speakers, much less the grinding, high-gain distortion of a Bogner Uberschall Twin Jet. And isn’t that shame?