Earlier this month at the Guitar World Roast of Zakk Wylde, Revolver TV was on hand to talk to all the stars as they made their way down the Red Carpet. Check out the video below for exclusive interviews with Slayer's Kerry King, Anthrax's Scott Ian, Slipknot vocalist Corey Taylor, Duff McKagan and more!
As many of you know, Zakk Wylde is the victim ... er, guest of honor at Guitar World's very first Rock and Roll Roast this Thursday night in Anaheim, California. Zakk will endure tongue-lashing from Ozzy Osbourne, Jim Florentine, Stone Cold Steve Austin, Brian Posehn, Corey Taylor, Chris Jericho, Jim Breuer and more, all at the hands of roastmaster Sharon Osbourne.
Black Sabbath guitarist Tony Iommi has been diagnosed with lymphoma, according to an official statement from Black Sabbath. The band maintain that this will not push back the recording/release of their new album, which is scheduled for a fall release.
Today's lick is a fast, fluid-sounding legato run based on the D Dorian mode (D E F G A B C), courtesy of Gus G. I rely on consecutive hammer-ons and pull-offs to articulate many of the notes and use finger slides to seamlessly shifts positions as I ascend the fretboard. Using finger slides allows me to continue up a single string without having to interrupt my smooth, legato phrasing with an unwanted pick attack.
It's now a common piece of rock and roll lore than Zakk Wylde once auditioned to join Slash in Guns N' Roses during the mid '90s. While the band ultimately decided that a two lead-player approach wouldn't work, it's fun to think about what the band would have sounded like with those two sharing guitar duties -- and apparently Zakk agrees.
Like any year-end list, this wasn't an easy one to compile. Of course, stellar documentary pieces by way of Cameron Crowe (Pearl Jam Twenty) and James Moll (Foo Fighters: Back And Forth) made the job a little easier, as did the fact that AC/DC, Slash and Rush continue to be among the best live acts on the planet.
In 1969, a long-haired band arrived out of nowhere, brandishing a heavy sound and dark vibe that was completely at odds with the "get back to the garden" idealism of the Woodstock generation. The band's jazz-influenced drummer was almost physically incapable of playing a straight 4/4 beat, and the guitarist had lost the tips of two fret-hand digits in a freak industrial accident.