Halford guitarist and Guitar World columnist Metal Mike Chlasciak will release his new single — "Hell No! — next Tuesday, May 22. However, he's streaming the song on his website and is sharing it with GuitarWorld.com readers. You can check it out below.
While doing my metal guitar workshops one of the topics that I hear a lot about is the art of tackling the ability to play lead guitar. I often hear guitarists tell me that they want to know how they can begin to play a bit more lead in their band. They are interested in sharpening their skills, but they seem afraid and un-sure of how to dive in. Often they feel that there is an invisible wall stopping them. They just don’t know.
As much as I love guitar parts built from fast and hyper-syncopated power-chord figures, some of the heaviest riffs I’ve ever heard are built from single-note patterns alone. Legendary metal bands such as Metallica and Megadeth, as well as relatively newer groups like Children of Bodom, At the Gates and In Flames, have used crushing single-note riffs as the centerpieces of their most powerful songs. In this month’s column, I’d like to focus on how to construct interesting, heavy and deceptively complex single-note riffs.
For guitar players, quality cables are sometimes an overlooked item. We are always looking to buy the best guitar, the best amp and the best-sounding pedals we can afford. Then, once we got $3K invested in our gear, we go out and connect everything with cheap guitar cables. The truth is, guitar and speaker cables matter -- a lot.
This month's "Metal For Life" shows you how to utilize a metal approach when playing classical-style themes. Classical music -- being used as an umbrella term to cover the Classical, Romantic and Baroque periods -- has been a major influence on heavy metal, particularly after the arrival of the "neoclassical shred" movement in the '80s.