Critics snubbed it upon its release in 1972, but Exile on Main St. has become one of rock’s greatest landmarks. Keith Richards recalls the making of the Rolling Stones' masterpiece and how the album’s new reissue project became a walk down memory lane.
One of the most frustrating aspects of making music today is toiling for hours in the studio to make a pristine recording and craft a perfect mix, only to end up selling your music to an audience that mostly listens to compressed audio files through tinny-sounding ear buds.
When Brian Carrier started building and customizing guitars 15 years ago, he toyed with the idea of making cigar-box guitars but wanted to make something more durable and long lasting. “I wanted to make something that a touring musician could play and tour with,” Carrier says.
“It was pretty hard,” Angus Young says about making the band’s new album, Rock or Bust. “I was doing a lot on my own.” Speaking from the Netherlands, where his wife’s family lives, AC/DC’s lead guitarist and eternal schoolboy sounds a bit more grave than usual, just a shade or two less whimsical.
Duane Allman had three primary Les Pauls during his time with the Allman Brothers Band. The 1957 goldtop that he played on the band’s first two albums as well as most of the Derek and the Dominos Layla sessions has been on display at the Big House Museum in Macon, Georgia.
Last month, we investigated the great advantages of using drop-D tuning in the development of metal-style riffs and licks. This month, I’d like to continue with this topic and show you some additional advantages that this tuning offers.
These videos and audio files are bonus content related to the January 2015 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.
Last month, I introduced the two different primary forms of the diminished scale, which I use as the basis for the riffs heard on the title track of the latest Revocation release, Deathless. This month, I’d like to go over the song’s pre-chorus and chorus sections.`