Jerry Reed (1937–2008), known by many as Burt Reynolds’ truck-driving partner in crime in the 1977 film Smokey and the Bandit, was also a highly accomplished and influential guitar picker. Let’s look at some of the technical and stylistic elements that made Reed a great player.
Think about the minor pentatonic scale; almost immediately, the mental image of that familiar box shape is probably conjured in your mind's eye. The fact that we can instantly recall various patterns due to their spacial layout over the fretboard is a great thing. But what if we're relying too heavily on existing scale shapes?
The great majority of metal music is based on the Aeolian mode, and in this month’s column I’d like to show you a simple, effective way to take any Aeolian line and change and mutate its character, which entails altering only one note.
Regarded as one of the greatest guitarists of all time, Delta blues wizard Robert Johnson recorded only 29 songs (plus 13 alternate takes, in two sessions) during his 27 years of life. They were cut when he wasn’t playing for tips on street corners, in juke joints or in front of barbershops and other commercial establishments.
As many readers begin to dig deeper into learning jazz guitar harmony and voicings, you will undoubtedly come across various 9th chords, Maj9, m9, 9 etc., in your jazz-guitar explorations. Since these chords pop up time and again, it is important to have a variety of 9th chords under your fingers so that you can bring them into your comping, chord melody and chord soloing ideas when needed.