I often use this exercise as a quick left-hand warmup. It's great for loosening up your left hand, especially for more complicated chordal work. It's also an excellent study for left-hand coordination and control. The concept is to play chromatic octaves starting on the low open E string entirely in first position. We will move up chromatically starting on the low E up to the G# on the first fret of the third string.
As I was walking around, I heard a violinist playing these wild exercises-he was wailing! I thought it would be really cool to adapt those licks to the guitar. Since the violinist didn't speak any English, I had to gesture for him to show me what he was doing. He gladly did, and then he showed me a bunch of variations, too. It was great; though we didn't speak, we nonetheless communicated very easily.
When studying jazz guitar, we often begin by exploring the Dorian mode when soloing over m7 chords. But, while that is a great first-choice scale, we often stop there with our explorations of m7 chord vocabulary. One of the mostly widely used scales besides Dorian to solo over m7 chords is the melodic minor scale, which is built like a Dorian but with a natural rather than a b7 note.
For most of the past five decades, British guitarist Eric Clapton has been at the forefront of blues/rock guitar playing. Though he has incorporated many different stylistic elements into his music during his long and very successful career, Clapton’s legacy was forged long ago on his brilliance as a virtuoso soloist, and he will long be remembered as one of the most important and influential guitarists ever.