January 2014 Guitar World: The Beatles' 50 Greatest Guitar Moments, Jimi Hendrix, Mark Tremonti, 15 Signature Guitars and More | Guitar World

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Duane Betts wears a western shirt and cowboy hat as he plays his Gibson Les Paul Standard onstage during the during the Allman Betts Family Revival at Nashville's Ryman Auditorium.

“People get too dependent on the sound they’re getting from the pedals”: Duane Betts on why less is more on his pedalboard – but a tuner and a boost? Everyone should have one

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“There is a difference in the tone compared with just the simple wrapover bridge, which resonates more in your body”: Why Rory Gallagher’s “Kid Gloves and Walkin’ Wounded” Gibson Les Paul Juniors were two of his best-sounding guitars

“All these sound engineers and friends were advising us to use a backing track… we really despise that! We wanted a real person”: How an 18-year-old shredder supersized Frozen Crown’s triple-guitar power metal assault

“I hope I don’t sound too French... but we already know how most typical guitars sound. Why stick to someone else’s palette?” Meet Lizzard’s Mathieu Ricou, the delay-keen guitarist whose giant tone defies the power trio format

“I just loved mushrooms. My dad thought it was hysterical, so he had the freaking guitar made with a mushroom on it”: Rosanne Cash on learning the ‘Carter scratch’ technique, her most valued guitar gear – and recreating Johnny Cash’s iconic SJ-200

“This is like Santana’s Soul Sacrifice at Woodstock or Hendrix’s Machine Gun, an act of freeform radicalism”: The best guitar solos of 2024

“Joe Perry was running close to 15 cabs on stage, and he ended up asking Tony to turn down. The amp was only on 4”: From Eddie Van Halen’s amps to the art of boosting, here are Tony Iommi’s tone secrets – from the man who knows them best

“A lot of my practice is about making smooth pedal changes to avoid surprises”: God Is an Astronaut’s Torsten Kinsella on his favorite fuzz flavors, tube amp disasters and learning his pedalboard dance steps

“Music has to be heartfelt. Robert Johnson didn’t go back and redo anything. John Lee Hooker, he walked in there and did it once”: Tab Benoit on returning from the swamp with the blues comeback of the year, and why he’s a one-take wonder

“Mastodon have this tuning where the sixth string drops to B. Our singer would say, ‘No, I want it lower.’ As soon as I picked up a 7-string I wished I’d done it sooner”: Meet Obeyer, the chorus-soaked UK metallers hand-picked by Periphery

“Bluegrass and thrash are nearly the same – fast, precise, aggressive, melodic, with songs about death, destruction and doom”: Meet The Native Howl, the thrashgrass pioneers running Taylor acoustics through Mesa/Boogie stacks

“I was 15 when we met – I was recording demos for my first record, and he was working with his brother, Jimmie Vaughan”: Eric Gales on the riffs that changed his life – and meeting Stevie Ray Vaughan as a teenager