The Beach Boys had a really cool guitar sound. I also liked the guitarists in the Searchers and the Dave Clark Five. Then Jimi Hendrix and Pete Townshend hit, and it turned the guitar world on its ear. The more I got into playing guitar, the more I enjoyed music and the broader my listening became. The instrument itself became important to me, and I started messing around with classical guitar and took classical lessons.
He is held in the highest regard by Eric Clapton and Jimmy Page, was close friends with Jimi Hendrix, and his mid-Sixties recordings with the Yardbirds invented the sound for heavy metal guitar. But what Guitar World readers really want to know is ...
The studio experimentation that had begun with Revolver advanced to the next level on Sgt. Pepper’s Lonely Hearts Club Band. As 1966 came to a conclusion, the Beatles were officially a studio group, and with Sgt. Pepper’s they would indulge their newfound freedom in ways that made other artists begin to think of the recording studio as a creative tool in and of itself.
The sound of the guitar was so untamed, and it lit a fire inside me to approach the guitar like a weapon. The lore behind Let There Be Rock is that Angus and Malcolm Young would face a Marshall against the wall and crank the sucker all the way up. You can tell the amp was turned up unbelievably loud: you can practically feel Angus' fingerprints rubbing against the strings.
“Fuck it, Hitchcock,” drawled Dime, downing the dregs of his beer. “We’ve been hammering this for hours and we’re out of booze. Interview and lesson over…we’re hitting a bar, goddammit! Put the camera and tape machine away, I’ll film me playing the riffs we went over when I get home and Fed Ex a tape to ya.”